Please pick only one post type!!

kennoarkkan:

shadyfolk:

amaipetisu:

A few tips everybody should consider. I’ve experienced all those and some more. I’m not good at english but I hope you get it. Go and support some artists out there and let them draw you nice shit. Not as nice as FairyNekoDesu but still will be cool so give them a chance and you’ll be surprised.

THIIIIS.

All of these things.

Especially the deadline. If you don’t have a deadline thats way in advanced it’s not gonna get done by then. I am almost always taking on a ton of projects at once and sometimes need a break from it to: work on stuff for me, work on stuff for friends, search for jobs, be the work slave of parents, actually relax and try to relief stress, technical difficulties, researching on how to do stuff, ect.

Sometimes it’s done in a day. Sometimes it’s done literally a year later. But I always update the people I work with so they know I haven’t forgotten.

Do NOT rush your commissioner. Let them work at their pace and it will be worth it. Rushing them insures a rush job which will very likely make the quality decline.

All this is true. Also, ref sheets are the most important thing ever. I can’t stress that enough. They make the job A LOT easier (instead of having to compare 10 different pics between each other and see that everything fits, you just look at 1!!)  If you plan in commissioning your character a lot, or even if its not yours (like from an anime or something) Either commission one or look for ref sheets of the show (because there are!).

Also i strongly suggest not using Instant Messaging. Information can be lost pretty easily there and it’s hard to come back to it. Use emails instead. The info stays there, and it’s easy to search for it. It’s also an excellent way to keep track of the descriptions, so if either the client or artist made a mistake, you can see the email threads and see who’s right straight away.

also pushy clients LOVE instant messaging. Pls no.

lianahee:

Colors-13x19 Windsor and Newton gouache paint on Arches Watercolor Block

My sketches and work in progress shots for my “Colors of the Wind” painting for the Disney Wonderground Gallery.

This piece will release on Saturday September 13th (only two weeks away!) I will be there from  11am-1 pm signing and meeting guests. Stop on by if you can. The framed original, deluxe prints and postcards will be available for purchase and I will even do a little sketch for you if you’re nice. :)

If you are not in the LA area, never fear-You can place an order by emailing Merchandise Guest Services at merchandise.guest.services@disneyparks.com or call Merchandise Guest Services at 877-560-6477 (select option 2) For prints. Leave a voice mail if they don’t answer. WonderGround Gallery is located in the Downtown Disney® District at the Disneyland® Resort in Anaheim, CA.

ALL my Disney artwork is commissioned through the Disney company and is ONLY sold through the gallery-NEVER online on my Etsy shop.

Several people have asked what my process is so I will use this post to explain how I work. By no means is this how everyone should work or the “right way.” I am a self taught painter and have only been painting since 2009. I have spent hours of trial and error, experimenting with other artists techniques, paint brushes, different paints/paper and this is just what works best for me (at this point of my artistic knowledge! ha!) So keep that in mind when you are painting that your techniques may change over the years. The important thing is to keep practicing always.  Evolving is a wonderful thing! :)

1. I first do a bunch of sketches. If i cannot get the pose right I will usually pose for myself and take a pic with my tripod or have a friend pose for me as reference. Never under estimate solid reference!  I’ll do more sketches and once I feel that I have something that I like, I will rework it until I have pretty clean line work.I always start out with col-erase pencils and am currently really into Vermillion or Tuscan Red. You can use whatever colors you want!  If I don’t have those handy though I love drawing with cheap BIC pens! :D

I use whatever thin paper I have lying around. Usually I will use animation paper that I still have from college (it’s a nice transparent vellum) but I will also use line paper, computer paper, tracing paper etc. Anything I can draw on!

For me, it really isn’t about how pretty the character is rendered or sketched but the feeling/essence of the character. Keep your sketches loose in the beginning! Most of my sketches aren’t clean and I’d deem them “embarrassing” but as long as I get something appealing, it’s all good. Appeal is VERY important! No matter how pretty it is, a boring character with a blank expression/lacking emotion is boring. 

Don’t worry or put too much pressure on yourself to make nice sketches. I’ve spent too many years buying a new sketch book and holding it dear to my heart proclaiming that THIS ONE will be the perfect sketch book and all my sketches inside will be beautiful. In my years of drawing NONE have been filled with all beautiful sketches. Wanna know why? Because they are just bound pieces of paper to get the ideas out of our heads and in tangible form.That’s it! Sometimes they will be outstanding and sometimes they will suck. It’s ok! :)

2. I clean up the drawing, then scan it into the computer and bring into Photoshop to do a color pass to figure out how I want the final image to look. That can also be rough-it’s just good to know what colors you will be using and to make sure it’s working how you want. Much better than blindly painting later on using colors you “think” would look good. Remember to thoroughly plan your work and then work your plan. If you follow those two steps, you will win at most things in life!

3. Then my trick to keep the line quality of the sketch I will PRINT it onto my watercolor paper! Whoo hoo! No transfer paper for me! Whenever i use transfer paper I always lose the appeal of my sketch. When I print it out straight onto the paper, I retain the original sketch and if I mess up, I can just print another one! It’s pretty much like making your own coloring book page. lol
I don’t use this technique for all my work though-I only print the image from the sketch if it is a larger piece. Reason being is that I like to work small and when i get the proportions the way I want from a tiny sketch, if I try to re draw it larger-it just doesn’t look the same. That is why scanning and enlarging it in Photoshop helps me. For my mini originals and 8x10 commission work I just draw straight into the watercolor paper.

(I use Arches watercolor block cold press 140 lb.) Paper DOES matter. Hot press is smoother and cold press is more toothy (it will give you more of a textured look) Experiment and use what you prefer. I have a large fomat Canon Pixma Pro 9000 Mark II printer. The largest sheet it can take is 13x19 so I cut my watercolor paper to that size and feed it through.That is the largest I would care to work at anyway so it works great for me.

Print it out at a low opacity (I usually do about 30%)  so you can see the drawing still but just very lightly. Also if you are doing a background color, paint it BEFORE you print your character onto it. The printer will still feed a painted sheet of watercolor paper.

4. Paint the whole thing and try not to mess up. (I mess up a lot.) To get the “colors of the wind” for this specific piece I use the dry brush technique. The brush is pretty dry with very little paint. Apply pressure heavier at first and as you make long brush strokes in whichever direction you are going, lift off the paper so the paint tapers off. PRACTICE A LOT first on a separate sheet of paper. I kid you not-with every brush stroke I did for the wind colors in this painting,I nearly gave myself a heart attack. I was sweating bullets and knew that one wrong move, (a heavy handed splotch of paint over Pocahontas’s face for example) and it would be the end of me. Luckily I prevailed.

I use Windsor and Newton gouache, Turner Acryl gouache and Holbein gouache. Personally one is not better than the other. I use different brands so I have more color choices. Work with what works best for you! My paint brush of choice is the Da Vinci Maestro brush and i painted Pocahontas and the colors of the wind/sparkle with that one.I actually use only that brush for all my paintings. Maybe it’s time to expand.

5. Add lots of sparkle. (you don’t have to but it’s very enjoyable to see ;) I prefer Martha Stewart craft glue and clear/white glitter.

Good luck!

♡ Liana

peaceofseoul:

Let me know if you have questions!!!

grypwolf:

… AND THAT IS THE WAY I MAKE FIRE! Simple and messy “how to gry”.
I will add quick smoke tutorial / step by step too Just wait. \o/

EDIT: Sorry for small images >8C I am not good with tumblr image sizes and I have never understood them. But by copying the image URL you can see bigger sized images!

drobvirks:

Aaahh so yeah. I’m nothing amazing at trees, but my friend Huispe has been asking for this for such a long time now, I decided to finally do it.

Hopefully it can be useful for any of you out there <3

(there’s prolly plenty of typos in there too but I am just so tired right now aughhh)

pineapple-drink:

ouyangdan:

theubergrump:

mediocreprincess:

theubergrump:

sometimes I forget that rulers work with tablets and I get really frustrated with my inability to freehand straight lines

I NEVER

REALIZED

YOU COULD DO THIS

BUT IT MAKES SO MUCH SENSE

#and you can just trace circles too and use a straight edge and ohmygod my whole world is different now   

omfg for real I thought this was just me?

er, dear artists of Tumblr:

image

image

WHY DID THIS NEVER OCCUR TO ME?

pspspss

you can also trace things

image

bakrua:

ever wanted to do some stuff? like, different stuff? tired of having to scroll through your huge ref tag? LOOK NO FURTHER!! Have a masterpost of LITERALLY EVERYTHING which took me 5 hours to make so reblog it

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